3/15/2023 0 Comments Buy expressive e touche se![]() ![]() For each of those 30 excitation combos a number of pre‑configured starting points are provided, often with descriptive and fanciful portmanteau names such as ‘Dustophone’, ‘Hurdy Tuby’ and ‘Harpastral’. Ten categories of material combinations can then be explored pairings of skins, bars, tubes and strings. The instruments are all factory presets, and fair game for further tweaking.Each layer/instrument uses one of three methods of virtual excitation: either mallet‑struck, noise‑actuated or sequenced. The instrument browser lets you quickly explore excitator and material combinations. In conventional synth terms you might regard each as a complete polyphonic ‘voice’ but there’s very little that’s conventionally synthy about them. These have identical capabilities, can be individually enabled, and have their own independent level, pitch (+/‑ four octaves, in cent steps), release time and pan positions. The heart of every preset is its pair of instrument layers, shown next to each other in the main Instrument plug‑in page. It all looks fascinating, and promising, but how does it work out in practice? And more importantly perhaps, what sounds can you get out of this thing? Giving Me Excitations The graphic interface is clean and invites experimentation. A macro system lets you tie multiple parameters together for easy simultaneous modulation, and it’s easy to set up real‑time control with a Touché or more conventional MIDI controllers. Two sound‑producing modules can be layered in each preset and their outputs treated by a bank of modulatable effects. With forebears like these Imagine should be interesting and unusual, and it is! It’s essentially an acoustic modeller of imaginary instruments, based on the sound production behaviour of skins (in the drum sense), strings, bars and tubes. These days the product range includes modelled guitars and synths too, and Eurorack hardware tie‑ins. AAS, meanwhile, are old hands at the physical modelling game: their Lounge Lizard electric piano was one of the first really successful implementations of the technology as a plug‑in. The former are probably best known for their Touché gestural control unit for synths, and the (at the time of writing still much anticipated) Osmose MPE synth. Imagine is the offspring of two innovative companies, Expressive E from France and the Canadian Applied Acoustics Systems. Imagine uses physical modelling to let you create any acoustic instrument you can, er, imagine. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |